The trouble with most New Yorker magazine covers is their built-in timely uniqueness. They are alternately funny, poignant, newsy or socially relevant, and then they fade into obscurity. A month, a year, a decade later, the meaning of many covers is forgotten.
Some covers do buck the trend. Saul Steinberg's classic New Yorker's world map, for example (see read more) is one example. �Herewith Jaxonia publishes its candidate for enduring fame:
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